SELECTED EXHIBITIONS of Sylvia Snowden
2011 Brenwood Art Exchange, "David C. Driskell and Students," Alec Simpson, Invitational, Brentwood, MD;
2011 Parish Gallery, "20th Anniversary Celebration," Invitational, Group Exhibition Washington, DC;
2010 Ipomal Galerie en Kunstuitleen, “American Artists,” Ineke Paliska, Invitational, Group Exhibition;
2010 American University Museum at Katzen Art Center, “Catalyst,” J.W. Mahoney, Invitational, Group Exhibition, Washington, D.C.;
2008 Morris Museum of Art, “Something to Look Forward To,” Kevin Grogan, Invitational, Group Exhibition, Augusta, GA;
2008 HUB-Roberson Galleries, Penn State University, Ann Shields, Invitational, Group Exhibition, University Park, PA;
2008 Flint Institute of Arts, Lisa Boylis Ashby, Invitational, Group Exhibition, Flint, MI;
2007 Solo Exhibition, “Flowers,” Norman Parish, Parish Gallery, Washington, D.C.;
2007 Museum of Texas Tech University, Denise Newsome, Invitational, Group Exhibition, Lubbock, TX;
2006 Beach Museum of Art, Kansas State University, Lorne Render, Invitational, Group Exhibition, Manhattan, KS;
2006 Solo Exhibition, “Venus of M Street,” Norman Parish, Parish Gallery, Washington, D.C.;
2006 “Embrace,” Mark Karelson, Group Exhibition, Mason Murer Gallery, Atlanta, GA;
2006 California African-American Museum of Art, “Something to Look Forward To,” Bill Hutson Group, Exhibition-Invitational, Los Angeles, CA;
2005 Solo Exhibition, “Jessie’s Shields,” Norman Parish, Parish Gallery, Washington, D.C.;
2005 The Heckscher Museum of Art “Something To Look Forward To,” Group Exhibition, Invitational, Huntington, NY;
2004 Phillips Museum of Art, “Something to Look Forward To,” Group Exhibition, Invitational, Lancaster, PA;
2003 Corcoran Gallery of Art, “Black is a Color: African American Art,” Susan Bader, Washington, D.C.;
2003 Concentration on StudioWork, “Shell: Glimpses “Flowers-Celebrating Paint,” “Venus of M Street,” “Men and Sons of M Street.”;
2000 Solo Exhibition, Malik Farewell, “Till We Meet Again,” Jack Cowart, Corcoran Gallery of Art, Washington, D.C.;
1997 Solo Exhibition, “Works by Sylvia Snowden, “Terrance De Vaux, Paradise Island, Nassau, Bahamas;
1997 Fannie Mae American Communities Fund, “Sense of Place,” Yvonne Carter, Group Exhibition, Washington, DC;
1996 The Corcoran Gallery of Art, “Evens-Tibbs Collection,” Jack Cowart, Group Exhibition, Washington, DC;
1996 The Montclair Art Museum, “Passionate Pursuits: Hidden Treasures of the Garden State,” Ellen Harris, Group Exhibition, Montclair, NJ;
1995 Solo Exhibition, “Sylvia Snowden: Portraits of Frances,” Addison/Ripley Gallery, Christopher Addison,Washington, D.C. (Video);
1995 The Baltimore Museum of Art, “1995 Baltimore Contemporary Print Flair,” Brandywine Workshop, Group Exhibition, Baltimore MD;
1995 Parish Gallery, “African American Women Prints,” Brandywine Workshop, Group Exhibition, Washington, DC;
1995 Howard University Gallery of Art/Fondo del Sol Art Center, “Lois M. Jones and Her Students,” Tritobia Benjamin, Mark Zuver, Washington, DC;
1995 School 33 Art Center, “Abstract in Black,” Angela Franklin, Group Exhibition, Baltimore, MD;
1995 Rockville Arts Place, “Black Art,” Manon Cleary, Group Exhibition, Rockville, MD (Video & Brochure);
1995 Zenith Gallery, “17th Anniversary Exhibition,” Margery Goldberg, Group Exhibition, Washington, DC;
1994 Corcoran Gallery of Art, Hemicycle Gallery, Washington Art Dealers Association, “Off the Mall2”, Jack Cowart, Group Exhibition, Washington, DC;
1994 American Embassy Addis Ababa, Art in Embassies Program, Roselyne Swig, Addis Ababa, Ethiopia;
1994 Solo Exhibition “Sylvia Snowden: The Burns Series”, Zenith Gallery, Washington, DC, Margery Goldberg (Brochure);
1994 Solo Exhibition, “Sylvia Snowden – New Paintings”, Stephanie Ann Robev Gallery, Frostburg State University,Frostburg, Maryland, Nancy Rosnow;
1992 Solo Exhibition, “Sylvia Snowden,” The National Museum of Women in the Arts, Washington, DC, Angela Adams (Brochure);
1992 Solo Exhibition, “New Abstractions, “Emerson Gallery, McLean, VA, Alice Thorson (Brochure);
1992 Yale University Gallery at Norfolk, Faculty Exhibition, Gloria Kury/Richard Ryan, Norfolk, CT;
1992 Colgate-Palmolive Company, “African American Women Artists,” Gregory Andrews, New York, NY;
1991 Museo Nacional de Bellas Artes, “Artistas Latino y Afro Americanos en USA,” Santiago Aranguiz, Group Exhibition, Santiago, Chile (Catalogue);
1991 National Museum of Women in the Arts, “Works of Distinction, Selected Donations and Loans,” Susan Fisher Sterling, Group Exhibition, Washington, DC;
1991 Herbert F. Johnson Museum of Art, “Cornell University Department of Art Faculty Exhibition”, Victor Kord, Group Exhibition, Ithaca, NY;
1991 University of Colorado Art Galleries, “Visiting Artist Program: 20th Anniversary Show,” Douglas Fly, Group Exhibition, Boulder, CO;
1991 Emerson Gallery, “Spirit Materials,” Alice Thorson, Group Exhibition, McLean, VA;
1990 The Bronx Museum of the Arts, “Contemporary Art by Americans and Brazilians of African Descent,” David Driskel/Aurelia Brooks, Group Exhibition, New York NY
(Catalogue);
1990 Anacostia Museum, “Gathered Visions: Selected Works By African American Women Artists,” Guy McElroy/Robert Hall, Group Exhibition, Washington, DC (Catalogue);
1990 Middendorf Gallery, “New Abstract Paintings,” Annie Gawlak, Group Exhibition, Washington, DC;
1990 Fine Arts Gallery, University of Maryland, Baltimore County, “A View from Baltimore to Washington,”Symmes Gardner, Group Exhibition, Baltimore, MD;
1990 The Dadian Gallery, American University, “Art and Conscience,” Marvin Liberman, Group Exhibition, Washington, DC;
1990 Liberty Campus Art Gallery, Community College of Baltimore, “Black Maryland Women in the Arts,” Allyn Harris, Baltimore, MD;
1990 Gallery 406, “Art Against Aids”, Annie Gawlak, Group Exhibition, Washington DC (Catalogue);
1989 Solo Exhibition, “Sylvia Snowden/Painting ‘89,” Ipomal Galeriji, Netherlands;
1989 Museo Civico D’Arte Contemperanea Di Gillelina, “Contemporary African American Art,” Group Exhibition, Invitational, Sicily, Italy (Catalogue);
1989 Solo Exhibition, “Paintings by Sylvia Snowden,” M. Hanks Gallery, Santa Monica, CA;
1989 California Afro-American Museum “Introspectives: Contemporary Art by American and Brazilian Artists of African Descent,” Aurelia Brooks, Groups Exhibition,
Invitational, Los Angeles, CA;
1989 Gallery 10, Ltd., ‘Secrets,” Group Exhibition, Invitational, Washington DC;
1988 Mayor’s Mini Gallery, “An Art Exhibit in Celebration of Black History Month,” Group Exhibition, Curator, Washington DC;
1987 International Cultural Exchange Association, “The Art of Black America in Japan,” David Driskell, Shintomi, Chuo-Ku, Tokyo;
1987 Jane Haslem Gallery, “Works on Paper by Washington Artists,” Jane Haslem, Washington, DC;
1987 Solo Exhibition, “Large Works on Paper,” Brody’s Gallery, Washington, DC;
1987 Artscape ’87, “Themes and Variations, Primitivism,” Leonard Cave, Baltimore, MD;
1987 South Shore Bank, “Two Black Women Painters,” Liz Harris, Chicago, IL;
1987 The Museum of the National Center of the Afro-American Artists, Inc., “Black Women Artists, 1987,” E. Barry Gaither, Invitational Group Exhibition, Boston, MA;
1987 The George Washington University, “Afro-American Art, Now,” Ken Young, Invitational, Group Exhibition, Washington, DC;
1986 Washington Projects for the Arts, Live Auction, Jock Reynolds, Washington, DC;
1986 Brody’s Gallery, “Drawing,” Group Exhibition, Invitational, Washington, DC
1986 Touchstone Gallery, “Myth and Ritual,” Keith Morris, Invitational, Group Exhibition, Washington, DC (Catalogue);
1986 Washington Women’s Art Center, “Let the Art be First,” Sam Gilliam, Invitational, Three Person Exhibition, Washington, DC (Catalogue);
1986 “Choosing: An Exhibition of Changing Perspectives on Modern Art and Art Criticism by Americas 1925-1985,” Jacqueline Bontemps, Invitational Group Exhibition,
National Traveling Exhibition (Catalogue);
1986 Bethune Museum, “Black Women Visual Artists in Washington, D.C.,” Guy McElroy, Invitational, Group Exhibition, Washington, DC;
1985 Solo Exhibition, “Painting and Works on Paper,” Brody’s Gallery, Washington, DC;
1985 “D.C. Content,” Group Exhibition, Tom Brody, Invitational, Art Barn, Washington, DC;
1985 “All Washington Show,” Group Exhibition, Zinnia, Washington, DC;
1985 WTTG-Channel 5, “Paintings for ARTS D.C. ad., Rep. Ron Dellums, Washington, DC;
1985 Corcoran Auction, Group Exhibition, Juried, Corcoran Gallery of Art, Washington, DC;
1985 Solo Exhibition, James Hurd Gallery, 3607 “M” Street, N.W., Washington, DC;
1983 “Washington Projects for the Arts Auction,” Invitational, Sam Gilliam, Suzanne Codi, Washington, DC;
1983 “Afro and Latin American Women,” Invitational, Group Exhibition, Roadwork Inc, Susan Hyde, Georgetown University, Washington, DC;
1983 Artist’s Auction, Invitational, Group Exhibition, George Koch, A. Salon, Ltd., Washington, DC;
1983 “Vision of the Spiritual Dimension”, Juried, Oscar Chelinsky, Dr. Jacob Coering, Christ Congregational Church, Silver Spring, MD;
1983 “Equinox,” The Mayor’s Mini Art Gallery, Stephanie Honeywood, Washington DC;
1983 “Environmental,” Invitational, Group Exhibition, Margery Goldberg, Zenith Gallery, Washington, DC;
1983 “Blacks Artists from Washington,” Invitational, Zenith Gallery, Washington, DC;
1982 One Person Exhibition, “Sylvia Snowden,” Third World Museum, Baltimore, MD;
1981 “Art Auction,” Channel 32, Howard University, Washington, DC;
1980 “Alternatives by Black Artists,” Invitational, Group Exhibition, Washington Projects of the Arts, Kieth Morrison, Washington, DC;
1980 Solo Exhibition, J.E. Caldwell and Company, Washington, DC;
1980 “Forever Free: An Exhibits of Art by Afro-American Women, 1967-1979,” Jacqueline Bontemps, Illinois State University, Normal-Bloomington, IL (Catalogue);
1980 Solo Exhibition, “M Street: Part II,” 10th Street Gallery, Washington, DC;
1979 Solo Exhibition (Simultaneous) “M Street: Part I,” Zenith Gallery, Washington, D.C. and Howard University, Washington, DC;
1979 “Emerging Artists,” Invitational, Group Exhibition, Washington Projects for the Arts, Walter Hopps, Washington, DC;
1979 Group Exhibition, Mazza Gallerie, Lou Stovall, Washington, DC;
1978 “University of Sydney Workshop,” Group Exhibition, Invitational, Gallery A, Sydney, Australia (Catalogue);
1977 Faculty Exhibition, Howard University, Washington, DC;
1976 Solo Exhibition, Seymore Center of the Arts, University of Sydney, Sydney, Australia (Catalogue);
1975 Slide Exhibition and Panel Discussion, “Feminism in Arts,” University of Maryland;
1975 Solo Exhibition, “Sylvia Snowden: Painting, Drawing, Collages,” University of Maryland;
1974 “Baltimore Black Arts Calendar,” Baltimore, MD;
1974 Solo Exhibition, “Painting-Snowden,” The Morris Mechanic Theatre Gallery, Baltimore, MD (Brochure);
1974 “Four Abstract Artists,” Baltimore Museum of Art, Baltimore, MD;
1973 Solo Exhibition, “Painting by Sylvia Snowden,” Jonade Gallery, Baltimore, MD;
1973 Green Spring School, “Green Spring School Regional,” Group Exhibition-Juried, Baltimore, MD;
1972 Solo Exhibition, “Oils By Sylvia Snowden,” Coppin State College, Baltimore, MD;
1972 Solo Exhibition, “Painting – The Figure – Sylvia Snowden,”Arena Playhouse, Baltimore, MD;
1971 Solo Exhibition, “Large Oils by Sylvia Snowden, Jonade Gallery, Baltimore, MD;
1970 Solo Exhibition, “Recent Paintings by Sylvia Snowden,” John Hopkins University, Baltimore MD (Brochure);
1970 Cincinnati University, “Discovery ’70,” The Links, Group Exhibition, Cincinnati, OH (Brochure);
1970 Reston Center, “Regional Reston Exhibition,” Helen Jackson, Group Exhibition, Reston, VA;
1969 Solo Exhibition, “Painting and Collage by Snowden,” University of Maryland, Baltimore, MD (Brochure);
1969 John Hopkins University, “Association of Black Arts/East Group Exhibition,” Juried, Baltimore, MD;
1968 Solo Exhibition, “Abstractions by Sylvia Snowden,” Mondawmin Center, Baltimore, MD;
1968 Baltimore Museum of Art, Regional, Group Exhibition, Juried, Baltimore, MD (Brochure);
1968 Community College of Baltimore, Liberty Campus, “The Artist Studio,” Bennard Perlman, Baltimore, MD (Brochure);
1968 Charles Center, “Fine Arts Festival,” Group Exhibition, Baltimore, MD;
1965 Lennox Hill Hospital, Skowhegan School Alumni Exhibition, Invitational Group Exhibition, New York City, NY;
1965 Solo Exhibition, “Birds of Prey by Sylvia Snowden,” Delaware State College, Dover, DE (Brochure);
1965 Bowie State College, “Area Exhibit of Contemporary Artists,” Group Exhibition, Juried, Bowie, MD
SYLVIA SNOWDEN'S EDUCATION:
“The Individual Artist as Entrepreneur: How to Survive and Thrive as an Artist in Washington, D.C.” Commission on the Arts and Humanities, Washington, DC;
"Evaluating Art,” The Washington School, Walter Hopps, The Institute for Policy Studies, Washington, DC;
“Marketing Arts and People,” Grants People, Inc., Cultural Alliance, Washington, DC (Certificate);
Howard University, Washington, DC – Master of Fine Arts;
Skowhegan School of Painting and Sculpture, Skowhegan, Maine (Certificate);
La Grande Chaumier, Paris, France (Certificate);
Howard University, Washington, DC – Bachelor of Arts
SYLVIA SNOWDEN'S EXPERIENCE:
2011 Panelist - "David C. Driskell - His art, as educator, as humanitarian," Brentwood Art Exchange, Brentwood, MD;
2010 Panelist, "Lis M. Jones", Tritobia Hayes Benjamin, Howard University, Washington DC;
2009 Mali K's Kids - raised money to assist small organizations in offering eductional and social support to young African American males;
2005 Creating Their Own Images: the History of African Women Artists, Lisa Farrington, Oxford Press;
2004 Panelist, Phillips Museum of Art, Lancaster PA;
1997 Panelist, Hirshhorn Museum and Sculpture Garden, Figurative Painting, Teresia Bush, Washington, DC;
1995 Visiting Artist, Howard University, Washington, DC, Floyd Coleman;
1995 Visiting Artist, Corcoran Gallery of Art, Washington, DC, Judy Byron;
1994 Visiting Artist, Brandywine Workshop, Philadelphia, PA, David Stephens, Allan Edmonds;
1992 Lecturer/Instructor, Yale University, Norfolk, CT;
1991-1992 Visiting Artist, Cornell University, Ithaca, NY;
1990 Visiting Artist, University of Colorado at Boulder, Boulder, CO, Gene Mathews;
1990 Lecturer, University of Maryland at College Park, “Minorities and Women Lecture Series,” David Driskell, College Park, MD;
1989 Traveled – Germany, Holland, France, and England;
1989 Artist-in-Residence, California Institute of the Arts, Valencia, CA, Nicholas English;
1989 Panelist, “The Hyphenated Artist,” The California Afro-American Museum, Los Angeles, California, David Driskell/Aurelia Brooks;
1989 Juror, Arlington Arts Center, 1991 Solo and Group Exhibitions, Arlington, VA;
1988-1989 Curator, Mayor’s Mini Gallery and Press Conference Room, District Building, Washington, DC;
1986 Juror, Maryland State Arts Council, Work-In-Progress Grant Program, Baltimore, MD;
1985 Panelist, “How to Survive as a Washington Artist,” Corcoran Gallery of Art, Washington, DC;
84-88 Administrator of JTPA Contracts, Arts D.C., Washington, DC;
1983 Director/Manager, Washington Women’s Art Center, Washington, DC;
1982 Director, “Arts with Elders Program,” Jelleff Boys and Girls Club, Washington, DC;
1975 Artist-in-Residence, University of Sydney, Professor Bernard Smith, Sydney, Australia;
1965-1992 Lecturer/Instructor, Painting, Design, Survey of Art History, Cornell University, Ithaca, NY; Coppin State College, Baltimore, MD; Howard University, Washington, DC; Morgan State University, Baltimore, MD; Delaware State College, Dover, DE; Community College of Baltimore, Baltimore, MD; University of District of Columbia, Washington, DC; Yale University, Norfolk, CT;
PEOPLE WITH WHOM SYLVIA SNOWDEN HAS STUDIED:
Leonard Bocour, John Button, Robert Cronbach, Willard Cummings, David Driskell, Zubel Kachadoorian, Alex Katz, James Kearns, Lois Jones Pierre-Noel, James A. Porter, Ben Shahn, James A. Wells.
SYLVIA SNOWDEN'S AWARDS AND PUBLICATIONS:
WHUT TV Channel 32 “David C. Driskell,” Ray Baker, Washington DC.;
Art News, “Flowers,” September 2007, Volume 106/Number 8.;
Art in America, “Flowers,” September 2007, page 89.;
Galleries, “Flowers,” (cover), Reid Baron, Takoma Park, MD, September 2007.;
Art News, “Venus of M Street,” September 2006, Volume 105/Number 8, page 75.;
Art in America, “Venus of M Street,” September 2006, page 74.;
The Washington Post, Rachel Beckman, “Youth and Maturity Under the Spotlight,” September 21, 2006.;
Galleries, “Venus of M Street,”(cover), Reid Baron, Takoma Park, MD, September 2006.;
Art news, Jean Lawlor Cohen, “Sylvia Snowden,” Volume 104/Number 11, December 2005.;
Art news, Jessie’s Shields,” Volume 104/Number 8, September 2005, page 54.;
Art in America, “Jessie’s Shields,” September 2005, page 91.;
Where Washington, Jean Lawlor Cohen, “Who is Sylvia,” September 2005.;
Galleries, “Jessie’s Shields,”(cover), Reid Baron, Takoma Park, MD, September 2005.;
The Philadelphia Inquirer, Edward Sozanski, “Black Abstraction in Lancaster,” April 18, 2004.;
The Patriot News, Zachary Lewis, Black Abstract Artist Showcase Shared Traits,” April 4, 2004.;
The Washington Post, Jo Ann Lewis, “Prized Possessions,” September 3, 2000;
The Washington Post, Weekend, Michael O’Sullivan, “Life and Death and Malik,” September 1, 2000.;
The Washington Times, Joannna Shaw-Eagles, “Images of Shattered Youth,” August 26, 2000.;
The Intowner, Davis Barrrows, “A Moving Tribute to a Son,” September 2000.;
The New York Times, Datebook, “Sylvia Snowden: Malik, Farewell Til We Meet Again,” September 1, 2000.;
National Public Radio, Jacki Lyden, “Weekend – All Things Considered,” September 16, 2000.;
WETA, Around Town 1601, “Sylvia Snowden, Works at the Corcoran Gallery of Art,” October 12, 2000.;
Black Art and Culture in the 20th Century, Richard J. Powell, Thames and Hudson, Inc., New York, NY, 1997.;
D.C. Area Artists ’97, The Lab School of Washington, Washington, D.C.;
Night and Day, The Corcoran Museum of Art, “Major African-American Collection Donated to the Corcoran,” Samuel Hai, July/August 1996.;
Jet, National Report, “Art Dealer Thurlow Tibbs Donates Major Collection of African-American Art to Corcoran Gallery in D.C.,” Volume 90/Number 4, June 20, 1996, Chicago, IL.;
The Intowner, Art and Artists: Sylvia Snowden,” David Barrows, Volume 28/Number 4, Washington, DC 1996.;
The Washington Post, Lee Fleming, “Sylvia Snowden at Addison/Ripley Gallery,” March 18, 1995.;
City Paper, Mike Givliano, “Blacks and Abstract,” February 22, 1995.;
Leslie King-Hammond, et al, Gumbo Ya-Ya: Anthology of Contemporary African-American Women Artist (New York; Mid-March Arts Press, 1995) pp 269-270.;
Lois M. Jones Award for Recognition, Fondo del Sol Gallery, Washington, D.C.;
The Washington Post, Elizabeth Kastor, “Finding Her Muse In Malik,” April 17, 1994, 117th year, No. 133.;
The Washington Post, Dorothy Gilliam, “Finding Ways to Stem This Violent Tide,” July 10, 1993, 116th year.;
Washington Review, Michael Clark, “Sylvia Snowden, National Museum of Women in the Arts; Sylvia Snowden: Abstract Paintings, Zenith Gallery,” June/July 1993, Volume XIX, Number 1.;
The Washington Post, Mary McCoy, “Art: Painter Sylvia Snowden’s Visceral Expressionism,” December 26, 1992, 115th year.;
Panelist, “The Memory of the Legacy”—James A. Partner, Art and Art Historian, Howard University Gallery of Art, Washington, D.C., Tritobia H. Benjamin, November 13, 1992.;
“Visions of 1993,” Contributing Artist, Video, Colgate, Palmolive, Stromberg Center, New York, April 1992.;
Eye Wash, George Howell, “Sylvia Snowden,” December 1992, Volume 4, November 10.;
The Washington Post, Mary McCoy, “High-Energy Expressionism,” May 30, 1992, 115th year, Number 117.;
Washington City Paper, Rex Weil, “True Colors: Sylvia Snowden, New Abstractions,” May 22-28, 1992, Volume 12/Number 21.;
American Art, National Museum of American Art, Smithsonian Institution, Judith Wilson, “Optical Illusion: Images of Miscegenation in Nineteenth and Twentieth-Century American Art,” Oxford University Press, Summer 1991, Volume S, Number 3.;
College Art Association, Judith Wilson, “Sex, Race, and Gender” – Paper, Washington, DC, 1991.;
The Washington Post, Michael Welzenbach, “Debut With A Difference,” September 22, 1990.;
City Paper, Alice Thorson, “Art and Conscience,” September, 1990, Volume 10/Number 39.;
Colorado Daily, David Alan, “Artist Sylvia Snowden,” November, 1990, Volume 98/Number 47.;
Limburrqs Dagblad, T.S. Vallinga, “Sylvia Snowden bij Ipomal”, Zaterdag, November 4, 1989.;
Smithsonian Institution – Traveling Exhibition, “African American Artists 1880-1887 – Selections from Evan Tibbs Collection,” University of Washington Press – Seattle and London, 1989.;
New Art Examiner, Alice Thorson, “Sylvia Snowden Engaging Expressionism”, October 1988, Volume 16/Number 2.;
Washington Review, Sheila Rotner, “Sylvia Snowden: Painting on Paper,” June/July 1988, Volume XIV/Number 1.;
The Washington Post, Henry Allen, “Acrylic Avalanche,” November 14, 1987.;
The Washington Times, Alice Thorson, “Two Approaches to the Group Show,” July 30, 1987.;
The Washington Times, Alice Thorson, “Separate but More Than Equal,” January 29, 1987.;
The Washington Post, Elizabeth Lazarus, “The Experience Exhibited”, August 1986.;
New Art Examiner, J.W. Mahoney, “Sylvia Snowden,” January 1986.;
Washington Review, Mary McCoy, ‘Sylvia Snowden: Painting and Works on Paper,” December 1985.;
The Washington Afro-American, Charles Farrow, “Curtain Call”, March 3, 1979.;
The Washington Post, Jo Ann Lewis, “Arts As A Statement,” March 3, 1979.;
The Washington Star, Benjamin Forgey, “Galleries: High Voltage Intensity in Paintings from the Inner City,” Sunday, May 4, 1979.;
Honorarium, M Street: Part I. Howard University, Department of Art, Washington, DC;
Voice of America, Arlene Stern, Washington, DC;
Individual Grant, D.C. Commission on the Arts and Humanities, Washington, DC, 1989, 1979, 1978.;
Lois Jones Pierre-Noel Award for Water Color.;
Scholarship to Skowhegan School of Painting and Sculpture. First Place Award for Oil Painting, Skowhegan School. Published (etching) Prints by American Negro Artists.;
First Place Award for Painting, Association of Black Art/East.;
Four Abstract Artists, The Baltimore Museum of Art, Baltimore, MD.;
Sylvia Snowden, A Black American Female Painter, University of Sydney Australia Press.;
Resource Guide to the Visual Arts of Afro-Americans, South Indiana, 1971.
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